René Char autograph signed letter, Le Marteau sans maître, Boulez, Deryk Mendel
The choreographic version of The Hammer Without a Master. The Hammer without a master for voice and six instruments is a work by Pierre Boulez from 1954, based on poems taken from René Char’s collection Le Marteau sans maître, published in 1934. It includes Pierre Boulez’s authorization to use the score of Le Marteau sans maître for his ballet as part of the Berlin International Festival. It specifies that this authorization is subject to René Char’s approval. 2 Autograph letter signed by René CHAR addressed to choreographer Deryk MENDEL.
He gives his approval to stage Le Marteau sans maître. He forwards his letter to José Corti, the publisher of Le Marteau sans maître, so that he may authorize it as well: “the material aspect concerns him (copyright).
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