Two autographed postcards signed "Jacqueline" to Angelika Kostrowicka [Paris, January 4 and 6, 1918], 2 p. In-8° Tear at the opening of the second letter (missing signature except for one letter, the "J" of Jacqueline) Small ink stains, some corrections by Jacqueline Apollinaire's hand. Autograph address on the back of each of the two postcards. "Madame Kostrowitzky 10 Villa Lambert Chatou S[eine] et O[ise]".
Bd Saint-Germain 195 Paris 120 January 4, [19]18 7:30 am and January 6, [19]18 6 pm. FROM THE FORMER JACQUES GUÉRIN COLLECTION.
Precious unpublished set showing the strong tensions between Jacqueline Apollinaire and her future mother-in-law at the time of the poet's hospitalization at the beginning of 1918. We have left Jacqueline Apollinaire's text as it is.
First letter: January 4, 1918. Guillaume asked me to tell you to excuse him for not coming to wish you a happy new year.
He went to bed on the 30th after lunch, he only got up this morning to go to the hospital, as he is a soldier, he cannot be treated at home, The major of the place sent him to the hospital where he was trepanned [Villa Molière, military hospital complement of Val de Grâce in Paris]. He has bronchitis, I hope it won't be serious. I had him these past three days with a fever of 39. I will go see him, he tried to write to you this afternoon but the transport tired him so much I'm sure he will not fail to do it tomorrow. I embrace you, Jacqueline" [She adds in the margin] "Here is his address if you want to get ahead of his letter.
Under the name of Apollinaire.
Of an irascible nature and not tolerating that her son lived in a common-law relationship with Jacqueline Kolb (they would only marry on May 2, 1918), she probably did not appreciate that Jacqueline took so long to notify her of her son's hospitalization. Jacqueline's response in the second letter confirms this hypothesis. It is also interesting to observe the difference in the opening of the two letters. It was clearly with irritation that Madame de Kostrowitsky opened the second one, tearing off, as by a strange coincidence, Jacqueline's signature. The tension between the two women was such that the poet's mother, after his death, had seals placed on his apartment.