The creation of gustave carpenter. She also sings occasionally at the monte-carlo opera where she creates the title role of hulda. De césar franck (1894), and the role of the Baroness in massenet cherubin (1905).
In 1891 she made her first appearance in the opera of betting by playing leonor in the favorite of gaetano donizetti, then later playing fidès in the prophet of giacomo meyerbeer, amneris in aida de verdi, hedwige in guillaume telll de rossini, dalila in samson and dalila de saint-saëns, germrude in hamlet d'ambroise thomas, ortrude (lohengrin de wagner), and veronice in the creation of messidor d'alfred bruneau (1897). Her repertoire also includes carmen, azucena (le trouvère), erda (siegfried)1 and brangäne (tristan et isolde), of which she created French (10 September 1897, at the theatre of the great circle of the casino of aix-les-bains savoie). 1 sheet of paper, folded in its center forming 4pp.
(folded: approximately 17,5x11,5cm). [Georgian origin or louis boulay].
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