The first time the rhythmic theme appears, it is a simple anticipation of the more developed exposure that manifests itself later. In my view, there is no need to change the tempo, but to emphasize the feverish nature of this new element. This will generally suffice for all appearances of this pattern.
That is, the tempo undergoes constant fluctuations, but not a radical change of character. If you observe the alternations of relaxation and impatience that are inherent in the very nature of the theme, the interpretation must be correct.
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